{"id":227,"date":"2020-10-22T05:42:54","date_gmt":"2020-10-22T05:42:54","guid":{"rendered":"http:\/\/webnixinfotech.com\/?page_id=227"},"modified":"2021-05-06T16:59:35","modified_gmt":"2021-05-06T16:59:35","slug":"ath46-1963","status":"publish","type":"page","link":"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1963\/","title":{"rendered":"ATH46-1963"},"content":{"rendered":"<div id=\"pl-227\"  class=\"panel-layout\" ><div id=\"pg-227-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-227-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-227-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"none-break\" class=\"panel-widget-style panel-widget-style-for-227-0-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"Section1\">\n<p style=\"text-align: center;\"><strong>Indice generale di athenaeum 51 (1963)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Articoli<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.J. BICKERMAN, <i>Sur<br \/>\nun passage d'Hyp\u00e9ride<\/i> (Epitaph. col. VIII)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. B\u00d6MER, <i>Gedanken<br \/>\n\u00fcber die Gestalt des Apollon und die Geschichte der griechischen Fr\u00f6mmigkeit<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. CERRI, <i>Archeologia<br \/>\nromana nel<\/i> Contra Symmachum<i> di Prudenzio<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. LA PENNA, <i>Le<\/i><br \/>\nHistoriae<i> di Sallustio e l'interpretazione della crisi repubblicana<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.A. LEVI, <i>Iscrizioni<br \/>\nrelative<\/i> <i>a <\/i>collegia<i> dell'et\u00e0 imperiale<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. PERLMAN, <i>The<br \/>\nPoliticians in the Athenian Democracy of the Fourth Century B. C.<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.T. SALMON, <i>The<\/i><br \/>\nColoniae Maritimae<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L.R. TAYLOR, <i>Was<\/i> <i>Tiberius<br \/>\nGracchus' Last Assembly Electoral or Legislative?<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. TOZZI,<i> Studi su<br \/>\nEcateo di Mileto, I : Ecateo ed Euripide<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. TOZZI,<i> Studi su<br \/>\nEcateo di Mileto, II : Ecateo e la cultura ionica<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. TREVES, <i>A<br \/>\ncommemorazione di Ettore Ciccotti<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Note e discussioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: right 597.75pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L. CRACCO RUGGINI, <i>Sulla<br \/>\nfortuna della Vita Ambrosii<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. D'ANNA, <i>Osservazioni<br \/>\nsulle fonti della morte di Agrippina minore<\/i> <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. DELLA CASA, <i>Risposta<br \/>\nal Professor Frassinetti<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. GIANCOTTI, <i>Postilla<br \/>\nmetodologica sull'esegesi di Lucrezio<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Recensioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">H.\u2011D. VOIGTL\u00c4NDER,<br \/>\n<i>Die Lust und das Gute bei Platon<\/i> (V.E. Alfieri)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.S. KIRK, <i>The Songs<br \/>\nof Homer<\/i> (G. Arrighetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">N. GULLEY, <i>Plato's<br \/>\nTheory of Knowledge <\/i>(G. Arrighetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. POHLENZ, <i>L'uomo<br \/>\ngreco<\/i> (A. Barigazzi) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.R. DODDS, <i>I greci e<br \/>\nl'irrazionale<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">ZENONE,<i> Testimonianze<br \/>\ne frammenti<\/i>,<i> <\/i>a cura di M. UNTERSTEINER (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">I Sofisti, Testimonianze<br \/>\ne frammenti<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i><br \/>\n<\/i>fasc. IV,<i> <\/i>Antifonte<i> e <\/i>Crizia<i>, <\/i>a cura di A.<br \/>\nBATTEGAZZORE e M. UNTERSTEINER (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. LUSHINGTON<br \/>\nPRENDERGAST, <i>A Complete Concordance to the Iliad of Homer<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\"><span style=\"mso-spacerun: yes;\">\u00a0<\/span>H. DUNBAR, <i>A Complete Concordance to the<br \/>\nOdyssey of Homer<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; tab-stops: 20.25pt right 523.45pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Griechische Verse,<br \/>\nGriechische Prosa<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i><br \/>\n<\/i>vorgetragen von K. ZIEGLER (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. SEVERYNS, <i>Texte et<br \/>\nApparat. Histoire critique d'une tradition imprim\u00e9e<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R. MERKELBACH, <i>Roman<br \/>\nund Mysterium in der Antike<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R. ADRADOS - M.<br \/>\nFERNANDEZ\u2011GALIANO - L. GIL, J. LASSO DE LA VEGA, <i>Introduccion a Homero<\/i><br \/>\n(A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. DEL GRANDE, <\/span><span style=\"font-size: 12.0pt; font-family: Sgreek; mso-bidi-font-family: Sgreek;\">TRAGWDIA<\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, <i>Essenza e genesi<br \/>\ndella tragedia<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E. FR\u00c4NKEL, <i>Beobachtungen<br \/>\nzu Aristophanes<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">D. BO, <i>La lingua di<br \/>\nEroda<\/i> (A. Barigazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L. RUGGINI, <i>Economia<br \/>\ne societ\u00e0 nell'<\/i>Italia Annonaria<i>, Rapporti fra agricoltura e commercio<br \/>\ndal IV al VI sec. d. C.<\/i> (A. Bernardi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.J. BICKERMAN, <i>La<br \/>\ncronologia nel mondo antico<\/i> (A. Bernardi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J.J. M. TAEYMANS, De<br \/>\nNaturalis Historia <i>van C. Plinius Secundus Maior als bron voor de<br \/>\neconomische geschiedenis van de Romeinse Koningstijd en de Republiek<\/i> (L.<br \/>\nCracco Ruggini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. CALDERONE, <i>Costantino<br \/>\ne il Cattolicesimo, I<\/i> (L. Cracco Ruggini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J.P.V.D. BALDSON, <i>Roman<br \/>\nWomen, Their History and Habits<\/i> (L. Cracco Ruggini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 20.25pt 126.0pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">H.P. KOHNS, <i>Versorgungskrisen<br \/>\nund Hungerrevolten im sp\u00e4tantiken Rom<\/i> (L. Cracco Ruggini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">U. ZANOTTI\u2011BIANCO,<br \/>\nP. ZANCANI MONTUORO, <i>La campagna archeologica del 1932 nella piana del Crati<br \/>\n<\/i>(A. Degrassi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Taciti De vita Iulii<br \/>\nAgricolae<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<br \/>\na cura di G. FORNI (P. Frassinetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">TACITUS,<i> Das Leben<br \/>\ndes Iulius Agricola<\/i>,<i> <\/i>a cura di R. TIL (P. Frassinetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Charisteria Francisco<br \/>\nNovotny octogenario oblata <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(P. Frassinetti)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. TIMPANARO, <i>La<br \/>\ngenesi del metodo del Lachmann<\/i> (P. Frassinetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. LIEBERG, <i>Puella<br \/>\nDivina<\/i> (P. Frassinetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. MOMIGLIANO, <i>Claudius,<br \/>\nThe Emperor and His Achievement<\/i>, transl. by W.D. HOGARTH (A. Garzetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. COMMAGER, <i>The Odes<br \/>\nof Horace. A Critical Study<\/i> (A. La Penna)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. BECKER, <i>Das Sp\u00e4twerk des Horaz<\/i> (A. La<br \/>\nPenna)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C.O. BRINK, <i>Horace on<br \/>\nPoetry, Prolegomena to the Literary Epistles<\/i> (A. La Penna)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">l. TACITE,<i> Dialogus<br \/>\nde oratoribus<\/i>,<i> <\/i>ed. A. MICHEL (E. Malcovati)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">2. LUCAIN,<i> Bellum<br \/>\ncivile, liber primus, <\/i>ed. P. WUILLEUMIER\u2011H. LE BONNIEC (E. Malcovati)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">3. APUL\u00c9E,<i> Metamorpho seis (IV, 28 \u2011 VI, 24)<\/i>, ed. P. GRIMAL<br \/>\n(E. Malcovati)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Pauli Crosnensis Rutheni<br \/>\nCarmina<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i><br \/>\n<\/i>ed. M. CYTOWSKA (E. Malcovati)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L. BOSCHI, <i>I<br \/>\nbronzetti romani di Montorio Veronese <\/i>(G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. ALIN, <i>Das Ende der<br \/>\nmykenischen Fundst\u00e4tten auf dem griechischen Festland<\/i> (G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. SCHACHERMAYR, <i>Die<br \/>\n\u00e4g\u00e4ische Fr\u00fczeit<\/i> <i>(Kreta und Mykenai), IV Bericht<\/i> (G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BECATTI, <i>Scultura<br \/>\ngreca, I: Dalle origini al quinto secolo <\/i>(G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BECATTI, <i>Scultura<br \/>\ngreca, II: Il quarto secolo e l' ellenismo<\/i> (G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F.R. COWELL, <i>Everyday<br \/>\nLife in Ancient Rome<\/i> (G.A. Mansuelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. PRATO, <i>I Canti di<br \/>\nAristofane<\/i> (G. Marenghi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">W. DE SOUSA MEDEIROS, <i>Hip\u00f3nax<br \/>\nde \u00c9feso, I. Fragmentos dos Iambos<\/i> (G. Marenghi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C.F. RUSSO, <i>Aristofane<br \/>\nautore di teatro<\/i> (G. Marenghi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BECKEL,<i><br \/>\nG\u00f6tterbeistand in der Bild\u00fcberlie\u00adferung griechischer Heldensagen<\/i> (L.<br \/>\nPolacco)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.E. MYLONAS, <i>Eleusis<br \/>\nand the Eleusinian Mysteries<\/i> (L. Polacco)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. BOETHIUS, <i>The<br \/>\nGolden House of Nero. Some Aspects of Roman Architecture<\/i> (P. Romanelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. SEVERYNS, <i>Gr\u00e8ce et<br \/>\nProche\u2011Orient avant Hom\u00e8re<\/i> (F. Sartori)<span style=\"mso-tab-count: 1;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">W.K.C. GUTHRIE, <i>A<br \/>\nHistory of Greek Philosophy, I: The Earlier Presocratics and the Pythagoreans\u00ad<\/i><br \/>\n(M. Untersteiner)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. TULLI CICERONIS, <i>Laelius<br \/>\nde amicitia, <\/i>ed. M. FALTNER (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. ZINTZEN, <i>Analytisches<br \/>\nHypomnema zu Senecas Phaedra <\/i>(P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E. PARATORE, <i>Plauto<\/i><br \/>\n(P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. IULIUS CAESAR, <i>Bellum<br \/>\nGallicum<\/i>,<i> <\/i>ed. O. SEEL (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. IULIUS CAESAR,<i> Der<br \/>\nGallische Krieg<\/i>,<i> <\/i>ed. e tr. ted. di G. DORMINGER (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P.V. COVA, <i>L'omerismo<br \/>\nalessandrinistico dell'Eneide<\/i> (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; tab-stops: 15.0pt 17.65pt center 221.05pt right 523.45pt;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">IV Congresso<br \/>\nInternazionale di Studi classici<\/span><\/i><\/p>\n<p class=\"MsoNormal\">\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Indice generale di athenaeum 51 (1963) &nbsp; Articoli E.J. BICKERMAN, Sur un passage d&#8217;Hyp\u00e9ride (Epitaph. col. VIII) F. B\u00d6MER, Gedanken \u00fcber die Gestalt des Apollon und die Geschichte der griechischen Fr\u00f6mmigkeit A. CERRI, Archeologia romana nel Contra Symmachum di Prudenzio A. LA PENNA, Le Historiae di Sallustio e l&#8217;interpretazione della crisi repubblicana M.A. LEVI, Iscrizioni&hellip;&nbsp;<a href=\"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1963\/\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">ATH46-1963<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"acf":[],"_links":{"self":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/227"}],"collection":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/comments?post=227"}],"version-history":[{"count":9,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/227\/revisions"}],"predecessor-version":[{"id":1328,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/227\/revisions\/1328"}],"wp:attachment":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/media?parent=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}