{"id":296,"date":"2020-10-22T06:01:11","date_gmt":"2020-10-22T06:01:11","guid":{"rendered":"http:\/\/webnixinfotech.com\/?page_id=296"},"modified":"2021-05-06T17:04:43","modified_gmt":"2021-05-06T17:04:43","slug":"ath46-1993","status":"publish","type":"page","link":"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1993\/","title":{"rendered":"ATH46-1993"},"content":{"rendered":"<div id=\"pl-296\"  class=\"panel-layout\" ><div id=\"pg-296-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-296-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-296-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"none-break\" class=\"panel-widget-style panel-widget-style-for-296-0-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"Section1\">\n<p style=\"text-align: center;\"><strong>Indice generale di athenaeum 81 (1993)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Articoli<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. ABRAMENKO, <i>Die<br \/>\ninnere Organisation der Augustalit\u00e4t. <\/i><\/span><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Jahresamt<br \/>\nund Gesamtorganisation<\/span><\/i><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">G. ALF\u00d6LDY, <i>Two Principes: Augustus and Sir Ronald Syme <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L. BOFFO - S. MAGGI, <i>Antichit\u00e0<br \/>\nromane a Pavia<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">B.<br \/>\nBRAVO, <i>Rappresentazioni di vicende di Sicilia e di Grecia degli anni 481-480<br \/>\na.C. presso storici antichi. Studio di racconti e discorsi storiografici<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 214.0pt 241.0pt 280.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. CAGNAZZI, <i>Notizie<br \/>\nsulla partecipazione di Euripide alla vita pubblica ateniese<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 110.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E. CAMPANILE, <i>Note sulle compagnie di ventura<br \/>\nosche<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nCRAWFORD, <i>Arranging Seating <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.L.<br \/>\nD'AGATA, <i>I santuari sul Piazzale dei sacelli ad Hagia Triada (Creta) <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nDI GENNARO, <i>I<\/i> <i>comizi centuriati di Cic., <\/i>De rep<i>. II,22,39\u201140:<br \/>\nattribuzione, struttura, giudizio politico<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. ERLER, <i>Il<br \/>\nPanatenaico di Isocrate e la critica della scrittura nel Fedro: \u00abaiuto\u00bb e<br \/>\n\u00absenso nascosto\u00bb<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">E.P. FORBIS, Liberalitas<i> and <\/i>largitio<i>: Terms<br \/>\nfor Private Munificence in Italian Honorary Inscriptions<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R.<br \/>\nGUERRINI, Effigies procerum<i>. Modelli antichi (Virgilio, Floro, <\/i>de viris<br \/>\nillustribus<i>) negli epigrammi del Salutati per Palazzo Vecchio a Firenze <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">N.<br \/>\nMARINI, <i>Osservazioni sul \u00abRomanzo di Chione\u00bb<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M. GWYN MORGAN, <i>The Unity of Tacitus, <\/i>Historiae<i><br \/>\nI, 12-20 <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nMASSA, <i>Pollione a Cicerone: le epistole del 43 a. C. come testimonianza di<br \/>\nun ideale politico<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">V. PARKER, <i>The Chronology of the Pentecontaetia<br \/>\nfrom 465 to 456 <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.C. RIEDINGER, <i>Un aspect de la m\u00e9thode de<br \/>\nX\u00e9nophon: l'origine des sources dans les H\u00e9lleniques <\/i>III-VII <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C.<br \/>\nSALETTI, <i>I Cicli<\/i> <i>Statuari giulio-claudi della Cisalpina. Presenze,<br \/>\nipotesi, suggestioni <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">W.<br \/>\nSCHEIDEL, <i>P\u00e4chter und Grundpacht bei Columella (Colonus-Studien II) <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 308.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">B.D. SHAW, <i>The<br \/>\nEarly Development of M.I. Finley's Thought: the Heichelheim Dossier <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nSTORCHI MARINO, Quinqueviri mensarii<i>: censo e debiti nel IV secolo<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/i><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Note e discussioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 259.0pt 285.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">N.<br \/>\nADKIN, <i>A Note on the Date of Ambrose's \u00ab<\/i>De Virginitate<i>\u00bb <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 259.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BONFANTE, <i>L'origine degli Italici <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 259.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BONFANTE, <i>Lo scenario dell'Odissea <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 259.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. CIAMPOLTRINI, <i>Un thesaurus di Luni (<\/i>CIL<i><br \/>\nXI, 1343) <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 259.0pt 285.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.M.<br \/>\nCORTES COPETE, <i>Ut philosophus <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 212.0pt 269.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. COTTICELLI KURRAS, <i>Latino sonticus: una<br \/>\nnota tra filologia e linguistica <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. GIGANTE, <i>Sul nuovo testo attribuito a<br \/>\nLivio<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 285.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D.<br \/>\nGILULA, <i>The Crier's Routine (Plaut. <\/i><\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Asin<i>. 4\u20115; <\/i>Poen<i>. 11-5)<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. HINARD, <i>Sacramentum <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">D. IZZO<i>, Di un fundus di Teano Sidicino in<br \/>\nAfrica <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 285.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R.<i> <\/i>LIZZI<i>, La storia antica e<br \/>\nl'ermeneutica<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 212.0pt 269.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. MARCONE, <i>Giulio Capitolino?<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 284.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. MARCONE, <i>Ciceronianus es, non christianus <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 197.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S. MONTERO, <i>Los haruspices y la moralidad de<br \/>\nla mujer romana<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 284.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. OLIVA, <i>Plinio, <\/i>Ep.<i> V, 8, 11 e<br \/>\nTucidide 1, 22,4 <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt 284.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. PINA POLO, <i>La terminologia sobre las<br \/>\nasembleas macedonias en Quinto Curcio y Justino <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 182.0pt 228.0pt 262.0pt 285.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">C.J.<i> <\/i>SIMPSON, <i>Horace, <\/i>Carm<i>. 1,2, 30\u201144, Apollo<br \/>\nPalatinus and Allusions to Shrines in Octavian's Rome <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">W.S.<i> <\/i>WATT, <i>Notes on Livy's Fourth Decade <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">\u00a0<\/span><\/i><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\">Recensioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Un<br \/>\nanonimo Panegirico per l'Imperatore Giuliano<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i> <\/i>a cura di A.<i> <\/i>GUIDA (A.<i><br \/>\n<\/i>Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nBEVILACQUA, <i>Antiche iscrizioni augurali e magiche dai codici di Girolamo<br \/>\nAmati <\/i>(M.P. Billanovich) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nBONNEFOND-COUDRY, <i>Le S\u00e9nat de la R\u00e9publique romaine de la guerre d'Hannibal<br \/>\n\u00e0 Auguste: pratiques d\u00e9lib\u00e9ratives et prise de d\u00e9cision <\/i>(C.<i> <\/i>Letta) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 297.0pt 306.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">S.<i><br \/>\n<\/i>BRODBECK-JUCKER, <i>Mykenische Funde von Kephallenia im arch\u00e4ologischen<br \/>\nMuseum Neuch\u00e2tel <\/i>(M.<i> <\/i>Benzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 258.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. CALCANI, <i>Cavalieri di bronzo. La torma di<br \/>\nAlessandro opera di Lisippo <\/i>(C.<i> <\/i>Letta) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R.<i><br \/>\n<\/i>CAPPELLETTO, <i>La Lectura Plauti del Pontano <\/i>(M.T.Vitale) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">CASSIUS DIO,<i> The Augustan Settlement (Roman History<br \/>\n53\u201155,9)<\/i>,<i> <\/i>ed. RICH; DION CASSIUS, <i>Histoire romaine, livres<br \/>\n50\u201151<\/i>,<i> <\/i>ed. FREYBURGER-RODDAZ (E. No\u00e8)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Crises et transformation des<br \/>\nsoci\u00e9tes archaiques de l'Italie antique au V<sup>e<\/sup> si\u00e8cle av. J.-<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">C. (E. Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">R.I. CURTIS, <i>Garum and Salsamenta. <\/i><\/span><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Production and Commerce in<br \/>\nMateria Medica <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(L.<br \/>\nTaborelli)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Da Skylletion a<br \/>\nScolacium. Il parco archeologico della Roccelletta<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i> <\/i>a cura di R. SPADEA<br \/>\n(G.P. Givigliano)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 309.0pt right blank 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Formule di maledizione della Mesopotamia<br \/>\npreclassica<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i><br \/>\n<\/i>a cura di F. POMPONIO (C.<i> <\/i>Mora) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">E. GABBA, <i>Dionysius and the History of Archaic Rome<br \/>\n<\/i>(R. Nicolai) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 180.0pt 205.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. GASC\u00d2, <i>Casio Dion. Sociedad y cultura en<br \/>\ntiempo de los Severos <\/i>(A.<i> <\/i>Marcone) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 309.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F. GASC\u00d2, <i>Plutarco. Consejos politicos <\/i>(A.<i><br \/>\n<\/i>Marcone) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">H.S. GEORGIU, <i>Keos VI. Ayia Irini: Specialized Domestic<br \/>\nand Industrial Pottery <\/i>(M. Benzi) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D. GUTAS, <i>Avicenna and the Aristotelian Tradition.<br \/>\nIntroduction to Reading Avicenna's Philosophical Works <\/i>(M. Zonta)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J. HAMMERSTAEDT, <i>Die Orakelkritik des Kynikers<br \/>\nOenomaos <\/i>(F.<i> <\/i>Montanari) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">G.<i> <\/i>HAVERLING, <i>Studies on Symmachus' Language<br \/>\nand Style <\/i>(P.<i> <\/i>Frassinetti) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">F. KOLB, <i>Diocletian und die erste Tetrarchie.<br \/>\nImprovisation oder Experiment in der Organisation monarchischer Herrschaft?<\/i><br \/>\n<\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(A.<br \/>\nMarcone) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 233.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">LICOFRONE, <i>Alessandra <\/i>(M. FUSILLO - A.<br \/>\nHURST - G. PADUANO) (N. Marini) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 233.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J. A LOPEZ FEREZ, <i>Galeno: obra pensamiento e<br \/>\ninfluencia <\/i>(D.<i> <\/i>Manetti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">G. MacLEAN ROGERS, <i>The Sacred Identity of Ephesos, Foundation<br \/>\nMyths of a Roman City <\/i>(C.<i> <\/i>Franco) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">MARTIALIS,<br \/>\n<i>Epigrammata<\/i>, ed. D.R. SHACKLETON BAILEY (P.<i> <\/i>Frassinetti) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 209.0pt 232.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. MAURACH, <i>Enchiridion poeticum:<br \/>\nIntroduzione alla lingua poetica latina <\/i>(P.B. Harvey)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">O.<i><br \/>\n<\/i>MAZAL, <i>Handbuch der Byzantinistik <\/i>(F. Montanari)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S.<i><br \/>\n<\/i>MONTERO, <i>Politica y adivinacion en el Bajo Imperio Romano: emperadores y<br \/>\nharuspices<\/i> (A. Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 279.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">L.<i> <\/i>MORGAN,<br \/>\n<i>The Miniature Wall Paintings from Thera: A Study in Aegean Culture and<br \/>\nIconography <\/i>(M.<i> <\/i>Benzi) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.J. O<i>' <\/i>HARA, <i>Death and the Optimistic Prophecy<br \/>\nin Vergil's Aeneid <\/i>(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 278.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P. OVIDIO NASON, <i>Obra amatoria I. Amores <\/i>(A.<i><br \/>\n<\/i>RAMIREZ - F. SOCAS) (L. Di Salvo)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.L.<br \/>\nPAGLIANI, <i>Piacenza. Forma e urbanistica <\/i>(P. Tozzi)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">R.J. PENELLA, <i>Greek Philosophers and Sophists in<br \/>\nthe Fourth Century A.D. Studies in Eunapius of Sardis <\/i>(A.<i> <\/i>Marcone) <i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P.<i><br \/>\n<\/i>PENSABENE, <i>Il teatro romano di Ferento. Architettura e decorazione<br \/>\nscultorea <\/i>(L. Sensi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Religion, Myth and Folklore in the World's<br \/>\nEpic. The Kalevala and its Predecessors <\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">(F.<br \/>\nBertolini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 218.0pt 255.0pt 278.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">N.S.<br \/>\nROSENSTEIN, <i>Imperatores victi: Military Defeat and Aristocratic Competition in<br \/>\nthe Middle and Late Republic <\/i>(E.<i> <\/i>No\u00e8) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P.<i><br \/>\n<\/i>SACCHI, <i>L'apocalittica giudaica e la sua storia <\/i>(L. Troiani) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 150.0pt 186.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.T. SCHETTINO, <i>Tradizione annalistica e<br \/>\ntradizione ellenistica su Pirro in Dionigi (<\/i>A. R.<i> XIX\u2011XX) <\/i>( E.<br \/>\nNo\u00e8) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">N.W. SLATER, <i>Reading Petronius <\/i>(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">STATIUS, <i>Thebaid IX<\/i>, comm. M. DEWAR (P. Venini)<br \/>\n<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 210.0pt 246.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">F.<br \/>\nVAN KEUREN, <i>The Frieze from the Hera I Temple at Foce del Sele <\/i>(F.<br \/>\nSlavazzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 210.0pt 246.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. VERZAR-BASS, <i>Il teatro romano di Trieste <\/i>(S.<i><br \/>\n<\/i>Maggi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">E. WALLINGER, <i>Die Frauen in der <\/i>Historia<br \/>\nAugusta<i> <\/i>(A. Marcone) <\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 116.0pt 145.0pt 193.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">R.J.A.<br \/>\nWILSON, <i>Sicily under the Roman Empire. The Archaeology of a Roman Province (36<br \/>\nBC - AD 535) <\/i>(G. Salmeri)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Notizie di pubblicazioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; line-height: 150%; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">(Fascicolo I)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J.J. CAEROLS, <i>Helanico<br \/>\nde Lesbos <\/i>(Manuales y Anejos de \u00abEmerita\u00bb XXXIX) (D. Ambaglio)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M. GIUSTA, <i>Il testo<br \/>\ndelle Tusculane<\/i> (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">TITI LIVI <i>Ab urbe<br \/>\ncondita libri XXXI-XL<\/i>,<i> <\/i>ed. J. BRISCOE (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C. FACCHINI TOSI, <i>Il<br \/>\nproemio di Floro. La struttura concettuale e formale<\/i> (F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. PASCOLI, <i>Ultima<br \/>\nlinea<\/i>, Introd. testo e comm. di M. TARTARI CHERSONI; G. PASCOLI, <i>Agape<\/i>,<i><br \/>\n<\/i>Introd. testo, trad. e comm. a cura di M. BONVICINI (F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Polythecon<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, cura et studio A.P. ORBAN<br \/>\n(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; line-height: 150%; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Times New Roman';\">(Fascicolo II)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L.<br \/>\nQUILICI - S. QUILICI GIGLI (a cura di), <i>Tecnica stradale romana <\/i>(E.<i> <\/i>Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.M. FRAYN, <i>Markets and Fairs in Roman Italy <\/i>(E.<i><br \/>\n<\/i>Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nFORNI, <i>Esercito e marina in Roma antica. Raccolta di contributi <\/i>(E.<br \/>\nGabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">E.J. OWENS, <i>The City in the Greek and Roman World <\/i>(D.<br \/>\nAsheri)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S.<br \/>\nMARIOTTI, <i>Lezioni su Ennio <\/i>(P.<i> <\/i>Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">T.<br \/>\nCALPURNIO SICULO, <i>Ecloga VII<\/i>,<i> <\/i>a cura di L. DI SALVO (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">PRISCIANI<br \/>\nCAESARIENSIS <i>Institutio de nomine et pronomine et verbo<\/i>,<i> <\/i>cur. <\/span><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M. PASSALACQUA (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D.C. FEENEY, <i>The Gods in Epic. Poets and Critics of<br \/>\nthe Classical Tradition <\/i>(P.<i> <\/i>Venini)<\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">PETRUS<br \/>\nCANTOR, <i>Glossae super Genesim. Prologus et capitula <\/i>1-3, ed. A. SYLWAN (F.<br \/>\nGasti)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Indice generale di athenaeum 81 (1993) &nbsp; Articoli A. ABRAMENKO, Die innere Organisation der Augustalit\u00e4t. Jahresamt und Gesamtorganisation G. ALF\u00d6LDY, Two Principes: Augustus and Sir Ronald Syme L. BOFFO &#8211; S. MAGGI, Antichit\u00e0 romane a Pavia B. BRAVO, Rappresentazioni di vicende di Sicilia e di Grecia degli anni 481-480 a.C. presso storici antichi. Studio di&hellip;&nbsp;<a href=\"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1993\/\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">ATH46-1993<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"acf":[],"_links":{"self":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/296"}],"collection":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":8,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/296\/revisions"}],"predecessor-version":[{"id":1370,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/296\/revisions\/1370"}],"wp:attachment":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/media?parent=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}