{"id":299,"date":"2020-10-22T06:02:47","date_gmt":"2020-10-22T06:02:47","guid":{"rendered":"http:\/\/webnixinfotech.com\/?page_id=299"},"modified":"2021-05-06T17:04:37","modified_gmt":"2021-05-06T17:04:37","slug":"ath46-1997","status":"publish","type":"page","link":"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1997\/","title":{"rendered":"ATH46-1997"},"content":{"rendered":"<div id=\"pl-299\"  class=\"panel-layout\" ><div id=\"pg-299-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-299-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-299-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"none-break\" class=\"panel-widget-style panel-widget-style-for-299-0-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center;\"><strong>Indice generale di athenaeum 85 (1997)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Articoli<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M. ALONSO\u2011N\u00da\u00d1EZ, <i>Approaches to a World<\/i> <i>History<br \/>\nin the Hellenistic Period: Dicearchus and Agatharchides<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F.<br \/>\nDAL CASON, <i>Le tavole alimentarie<\/i> <i>di epoca traianea. Nuove proposte di<br \/>\ninterpretazione<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.D.<br \/>\nDOPICO CAINZOS, Aeternitas rei<i> <\/i>publicae <i>como programa po1itico en<br \/>\nCiceron: el ejemplo del <\/i>Pro Marcello<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nFARAGUNA, <i>Registrazioni catastali nel mondo greco: il caso di Atene<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F.<br \/>\nFONTANELLA, <i>Introduzione al <\/i>De Legibus <i>di Cicerone. I<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nGARZETTI, <i>Altro sui<\/i> Nonii <i>di Brescia<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">F.<br \/>\nGUIZZI,<i> Conquista, occupazione del suolo e titoli che danno diritto alla<br \/>\npropriet\u00e0: l'esempio di una controversia interstatale cretese<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">U.<br \/>\nLAFFI, <i>Osservazioni sul contenuto e sul testo del <\/i>Fragmentum<i> <\/i>Atestinum<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.F. LAZENBY, <i>The Conspiracy of Kinadon<br \/>\nreconsidered<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">CHR. LEIDL, <i>Appian im 16. Jahrhundert. <\/i><\/span><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Italienische und<br \/>\nlateinische \u00dcbersetzungen der <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Iberike<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">D.<br \/>\nMANTOVANI, <i>L'occupazione d<\/i>e<i>l'<\/i>Ager publicus <i>e le sue regole<br \/>\nprima del 367 a. C.<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nNEGRI, <i>La Chimera nella poesia latina d'et\u00e0 'aurea'. Alcuni rilievi<br \/>\niconografici<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.<br \/>\nNO\u00c9, <i>Province, Parti e guerra civile: il caso di Labieno <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">L. ROSSI<i>, A Synoptic Outlook of Adamklissi Metopes<br \/>\nand Trajan's Column Frieze: Factual and Fanciful Topics revisited<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 10.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.L.<br \/>\nSANCASSANO, <i>Il mistero del serpente. Retrospettiva di studi e<br \/>\ninterpretazioni moderne<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<i> <\/i>SORICELLI, <i>La<br \/>\nregione vesuviana dopo l'eruzione del 79 d. C.<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">PH. WINN, <i>Frigeridus, the British Tyrants and the Early Fifth Century<br \/>\nBarbarian Invasions of Gaul and Spain<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">\u00a0<\/span><\/i><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Note e discussioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">P.E.<br \/>\nARIAS, <i>La situazione della ricerca sulla ceramica greca e italiota dopo il<br \/>\nBeazley e il Trendall<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nBALBO, <i>Note sulle edizioni pre\u2011malcovatiane degli Oratorum Romanorum<br \/>\nFragmenta<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">C.<br \/>\nBONFANTE, <i>Ancora i pregermani<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L.<br \/>\nBRACCESI, <i>Orazio a Filippi<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">N.G.R. BRUNDETT -<i> <\/i>C.J.<i> <\/i>SIMPSON, <i>Innovation<br \/>\nand the Baths of Agrippa<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nCOPPOLA, <i>Eschilo e il leone<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R. FUNARI, <i>L'immagine<br \/>\ndella <\/i>tabes <i>come metafora di corruzione nel linguaggio morale di<br \/>\nSallustio e della prosa latina<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">E.<br \/>\nGABBA, <i>Democrazia a Roma<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.A. GIUA, Metus<br \/>\ntemporum. <i>Temi di psicologia sociale e politica in un saggio recente<br \/>\nsull'alto impero<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nGRILLI, <i>Un'orazione di Catone censore del 161 a.C.?<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.P.<br \/>\nLAVIZZARI PEDRAZZINI, <i>Nuove osservazioni sul vasellame \u00abtipo ACO\u00bb<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nLIBERMAN, <i>Plutarque et la \u00abgrande rh\u00e9tra\u00bb<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 304.8pt;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J. LUNDON,<br \/>\n<i>\u00abAbilit\u00e0 artistica\u00bb o \u00abamore paterno\u00bb nello scolio HMQR a <\/i><\/span><span style=\"font-size: 12.0pt; font-family: Sgreek; mso-bidi-font-family: Sgreek;\">g<\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\"> <i>400\u20111?<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 187.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">F.X. RYAN, <i>Two Missing aediles<br \/>\nand Several Others<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">PH.O. SPANN, <i>The Lauro of the Sertorian War: where was it?<\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">\u00a0<\/span><\/i><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\">Recensioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 269.0pt 290.0pt 297.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">W.<i><br \/>\n<\/i>AMELUNG, <i>Die Sculpturen des Vaticanischen Museums <\/i>(C. Saletti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Ancient Greek Novels. The Fragments<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">,<i><br \/>\n<\/i>ed. S. WINKLER (N. Marini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Androtion and the Atthis. The Fragments translated with Introd. and Comm<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">,<i>. <\/i>by PH. <\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">HARDING<i><br \/>\n<\/i>(D. Ambaglio)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Angera romana. Scavi<br \/>\nnell'abitato 1980\u20111986<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i> <\/i>a c. di G. SENA CHIESA e M.P. LAVIZZARI<br \/>\nPEDRAZZINI (C.<i> <\/i>Saletti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">ARISTOPHANES, <i>Birds<\/i>,<i> <\/i>ed. N. DUNBAR (D.<br \/>\nBergomi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">R.<br \/>\nBELLI PASQUA, <i>Sculture di et\u00e0 romana in \u00abbasalto\u00bb <\/i>(C. Saletti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Bildkatalog der Skulpturen des Vatikanischen Museum<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">,<i> <\/i><\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Band<br \/>\nI.<i> Museo Chiaramonti<\/i>,<i> <\/i>a c. di B. ANDREAE (C.<i> <\/i>Saletti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 137.0pt 144.0pt 160.0pt 169.0pt 195.0pt 202.0pt 216.0pt 246.0pt 264.0pt 274.0pt 281.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">D. BO, <i>Le principali<br \/>\nproblematiche del <\/i>Dialogus de oratoribus<i>. Panoramica storico\u2011critica<br \/>\ndal 1426 al 1990 <\/i>(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">L.<br \/>\nBOFFO, <i>Iscrizioni greche e latine per lo studio della Bibbia <\/i>(M. Pucci<br \/>\nben Zeev)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">A.B. BOSWORTH, <i>Commentary on Arrian's History of<br \/>\nAlexander. <\/i><\/span><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">II.<br \/>\n<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(D.<br \/>\nAmbaglio)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G.<br \/>\nCASADIO, <i>Storia del culto di Dioniso in Argolide <\/i>(M.L. Sancassano)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nCITRONI, <i>Poesia e lettori in Roma antica <\/i>(O.<i> <\/i>Pederzani)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S.<i><br \/>\n<\/i>COSTANTINI, <i>Il deposito votivo del santuario campestre di Tessennano <\/i>(R.<br \/>\nInvernizzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">O.<i><br \/>\n<\/i>DE BRUYN, <i>La comp\u00e9tence de l'Ar\u00e9opage en mati\u00e8re de proc\u00e8s publics <\/i>(A.<br \/>\nMaffi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">S.<i><br \/>\n<\/i>DE CARO, <i>La villa rustica in localit\u00e0 Villa Regina a Boscoreale <\/i>(S.<i><br \/>\n<\/i>Miranda)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 11.5pt;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">R. DREWS, <i>The End of the Bronze Age. Changes in Warfare<br \/>\nand the Catastrophe ca. 1200 B.C. <\/i>(M. Benzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">I.E.M. EDLUND\u2011BERRY, <i>The Seated and Standing<br \/>\nStatue Akroteria from Poggio Civitate (Murlo) <\/i>(M. Di Fazio)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Epigrafia<br \/>\ndella produzione e della distribuzione. Atti Convegno Roma 1992 <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(S.<i> <\/i>Segenni)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M.A. FLOWER, <i>Theopompus of Chios. History and Rhetoric in the Fourth<br \/>\nCentury B.C. <\/i>(D. Ambaglio)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M. FOX, <i>Roman Historical Myths. The Regal Period in<br \/>\nAugustan Literature <\/i>(E. Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 227.0pt 239.0pt 245.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">M.W.<i><br \/>\n<\/i>GLEASON, M<i>aking Men. Sophists and Self-presentation in Ancient Rome<\/i><br \/>\n(G. Raina)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 227.0pt 239.0pt 245.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">T.<br \/>\nG\u00d6RANSSON<i>, Albinus, Alcinous, Arius Didymus <\/i>(R. Tosi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">H.<i> <\/i>HEFTNER, <i>Plutarch und der Aufstieg des Pompeius. <\/i><\/span><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Ein historischer<br \/>\nKommentar zu Plutarchs Pompeiusvita <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(A. Marcone)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">G. HERBERT\u2011BROWN,<i> Ovid and the Fasti. An Historical<br \/>\nStudy <\/i>(E. No\u00e9)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Insediamenti<br \/>\nfortificati in area centro\u2011italica. Atti Convegno Chieti 1991 <\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(C. Letta)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Josephus and the History of the Greco\u2011Roman Period. Essays in<br \/>\nMemory of Morton Smith<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">,<i> <\/i>ed. by<i> <\/i>F.<br \/>\nPARENTE and J. SIEVERS (G. Firpo)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">B. KREMER,<i> Das Bild der Kelten bis in Augusteische Zeit. Studien zur<br \/>\nInstrumentalisierung eines antiken Feinbildes bei griechischen und r\u00f6mischen<br \/>\nAutoren <\/i>(C. Letta)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">E. LEF\u00c8VRE, <i>Terenz' und Menanders <\/i>Heautontimoroumenos<br \/>\n(L. Castagna)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">P. LETTINCK,<i> Aristotle's Physics and its Reception<br \/>\nin the Arabic World<\/i> (M. Zonta)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">K. MAURER,<i> Interpolation in Thucydides <\/i>(R.<br \/>\nTosi)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Der Neue Pauly. Enzyklop\u00e4die des Antike<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">, hgg. <\/span><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">H.<br \/>\nCANCIK - H. SCHNEIDER (C. Saletti)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">C. PANAYOTAKIS<i>, Theatrum Arbitri. Theatrical<br \/>\nElements in the Satyrica of Petronius <\/i>(N. Marini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">PAOLINO<br \/>\nDI<i> <\/i>PELLA, <i>Discorso<\/i> <i>di ringraziamento. Eucharistic\u00f2s<\/i>, a c.<br \/>\ndi A. MARCONE (E. Colombi)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nPAUTASSO,<i> Il deposito votivo presso la Porta Nord a Vulci <\/i>(R.<i> <\/i>Invernizzi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D. RIDINGS,<i> The Attic Moses. The Dipendency Theme<br \/>\nin Some Early Chistian Writers<\/i> (L. Belloni)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Rom und der griechische Osten. Festschrift f\u00fcr H.<br \/>\nSchmitt zum 65. <\/span><\/i><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Geburtstag<br \/>\n<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">(M.D.<br \/>\nCampanile)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.L.<i><br \/>\n<\/i>ROSTOVTZEFF, Scripta Varia.<i> Ellenismo e Impero Romano<\/i>, a cura di A. MARCONE<br \/>\n(L.<i> <\/i>Boffo)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">RUSH REHM, <i>Marriage to Death. The Conflation of<br \/>\nWedding and Funeral Ritual's in Greek Tragedy<\/i> (L. Castagna)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<i><br \/>\n<\/i>SCHIAVONE, <i>La storia spezzata <\/i>(C.R. Witthaker)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 238.0pt 245.0pt 292.0pt 306.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">J. SOUBIRAN,<i> Prosodie<br \/>\net m\u00e9trique du <\/i>Miles gloriosus<i> de Plaute. Introduction et commentaire <\/i>(L.<br \/>\nCeccarelli)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 238.0pt 245.0pt 292.0pt 306.0pt right blank 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Storia di Giuseppe<br \/>\n(Genesi 37\u201150)<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">,<i><br \/>\n<\/i>a c. di A. CATASTINI<i> <\/i>(E. Jucci)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D. TARN<i> <\/i>STEINER, <i>The Tyrant's Writ. Myths<br \/>\nand Images of Writing in Ancient Greece <\/i>(L.<i> <\/i>Boffo)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">F.T. VAN<i> <\/i>STRATEN, <i>Hier\u00e0 kal\u00e0. Images of<br \/>\nAnimal Sacrifice in Archaic and Classical Greece <\/i>(S. De Maria)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nVICIANO, <i>Retorica, filosofia y gramatica en el <\/i>Adversus Nationes<i> de<br \/>\nArnobio de Sica <\/i>(F. Gasti)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D. WEST, <i>Horace Odes I. <\/i>Carpe diem<i> <\/i>(M.<br \/>\nAschei)<i><\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">T.P.<i> <\/i>WISEMAN, <i>Remus. A Roman Myth <\/i>(E.<br \/>\nGabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<h3 style=\"margin-left: 18.0pt; text-indent: -18.0pt;\"><span style=\"font-size: 12.0pt;\"><a name=\"art1\"><\/a>Notizie di pubblicazioni<\/span><\/h3>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; line-height: 150%; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">(Fascicolo I)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">PUELMA MARIO, <i>Labor et lima. Kleine Schriften und Nachtr\u00e4ge <\/i>(F.<i><br \/>\n<\/i>Bertolini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Reading the Odyssey. Selected Interpretative Essays<\/span><\/i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">,<i> <\/i>ed. SCHEIN (F. Bertolini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">HOMER, <i>Iliad Book Nine<\/i>,<i> <\/i>ed. J. GRIFFIN (M. Negri)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-align: justify; text-indent: -14.2pt; mso-pagination: widow-orphan;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">C. ORWIN, <i>The Humanity of Thucydides <\/i>(D. Asheri)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">C.<br \/>\nSEGAL, <i>Sophocles' Tragic World.<\/i> <i>Divinity, Nature, Society <\/i>(N.<br \/>\nMarini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A. GARZETTI, <i>Scritti<br \/>\ndi storia repubblicana e augustea <\/i>(E.<i> <\/i>Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.<br \/>\nMIGL, <i>Die Ordnung<\/i> <i>der \u00c4mter. Pr\u00e4torianerpr\u00e4fektur und Vikariat in der<br \/>\nRegionalverwaltung des R\u00f6mischen Reiches von Konstantin bis zur<br \/>\nValentinianischen Dynastie <\/i>(A. Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">R.<br \/>\nSCHOLZ, <i>Historische Beitr\u00e4ge zu den julianischen Reden des Libanios <\/i>(A.<i><br \/>\n<\/i>Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">J.<br \/>\nHARRIES, <i>Sidonius Apollinaris and the Fall of Rome <\/i>(A. Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">VIRGILIO, <i>Il libro<br \/>\nterzo dell'Eneide<\/i>,<i> <\/i>a cura di P.V. COVA (P. Venini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">G. BALLAIRA, <i>Esempi<br \/>\ndi scrittura latina dell'et\u00e0 romana. I: dal III\u2011IIsecolo a. C. al I<br \/>\nsecolo d. C. <\/i>(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">PH. BRUGGISSER, <i>Symmaque<br \/>\nou le rituel \u00e9pistolaire de l'amiti\u00e9 litt\u00e9raire. Recherches sur le premier<br \/>\nlivre de la correspondance <\/i>(F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">CIRILLO e GIOVANNI DI<br \/>\nGERUSALEMME, <i>Catechesi prebattesimali e mistagogiche<\/i>,<i> <\/i>a cura di<br \/>\nC. MAESTRI e V. SAXER (F. Gasti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 4.0pt dotted 280.0pt 292.0pt 305.0pt right blank 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">D.J.<br \/>\nNODES, <i>Doctrines and Exegesis in Biblical Latin Poetry <\/i>(E.<i> <\/i>Jucci)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">M.<br \/>\nZONTA, <i>Un interprete ebreo della filosofia di Galeno <\/i>(I.<i> <\/i>Garofalo)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; line-height: 150%; mso-pagination: widow-orphan; tab-stops: right 16.0cm;\"><span style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Times New Roman';\">(Fascicolo II)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Corpus<br \/>\nVasorum Antiquorum. Russia I<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, a cura di N. SIDOROVA (C. Saletti)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Corpus<br \/>\nSpeculorum Etruscorum. Italia 2. Perugia<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, a cura di A. FRASCARELLI (M.E. Gorrini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Corpus<br \/>\nSpeculorum Etruscorum. Italia<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\"> <i>3.<\/i> <i>Volterra<\/i>, a cura di G. CATENI (M.E.<br \/>\nGorrini)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">G. CAPDEVILLE, <i>Volcanus.<br \/>\nRecherches comparatistes sur les origines du culte de Vulcain<\/i> (M.A. Levi)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><i><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">Ancient History and the Antiquarian.<br \/>\n<\/span><\/i><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Essays<br \/>\nin Memory of A. Momigliano<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\"> (A. Marcone)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Museo<br \/>\nComunale di Amelia. Raccolta archeologica. Iscrizioni, sculture, elementi<br \/>\narchitettonici e d'arredo<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, a cura di M. MATTEINI CHIARI e S. STOPPONI (E. Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">A.<br \/>\nNESTORI, <i>Il Mausoleo e il sarcofago di Flavius Iulius Catervius a Tolentino<\/i><br \/>\n(E. Gabba)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; margin-left: 14.2pt; text-indent: -14.2pt; mso-pagination: widow-orphan; tab-stops: 183.0pt right 16.0cm;\"><span lang=\"EN-GB\" style=\"font-size: 12.0pt; font-family: 'Times New Roman'; mso-ansi-language: EN-GB;\">S. MACALISTER, <i>Dreams and<br \/>\nSuicides. The Greek Novel from Antiquity to the Byzantine Empire<\/i> (N.<br \/>\nMarini)<\/span><\/p>\n<p class=\"MsoNormal\"><i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">Canti<br \/>\ne aedi nei poemi omerici<\/span><\/i><span style=\"font-size: 12.0pt; font-family: 'Times New Roman';\">, a cura di S. GRANDOLINI (D. Loscalzo)<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Indice generale di athenaeum 85 (1997) &nbsp; Articoli M. ALONSO\u2011N\u00da\u00d1EZ, Approaches to a World History in the Hellenistic Period: Dicearchus and Agatharchides F. DAL CASON, Le tavole alimentarie di epoca traianea. Nuove proposte di interpretazione M.D. DOPICO CAINZOS, Aeternitas rei publicae como programa po1itico en Ciceron: el ejemplo del Pro Marcello M. FARAGUNA, Registrazioni catastali&hellip;&nbsp;<a href=\"https:\/\/athenaeum.unipv.it\/index.php\/ath46-1997\/\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">ATH46-1997<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"acf":[],"_links":{"self":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/299"}],"collection":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":6,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/299\/revisions"}],"predecessor-version":[{"id":1364,"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/pages\/299\/revisions\/1364"}],"wp:attachment":[{"href":"https:\/\/athenaeum.unipv.it\/index.php\/wp-json\/wp\/v2\/media?parent=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}